Video Essay

Personal engagement with visual culture from a feminist perspective through video practice. Always boundary pushing or avant-garde and at the forefront of feminist engagement.

This video essay seeks to include African women in the new wave of critical writing on women and horror film.

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Wan demonstrates how Li Shaohong’s The Door (2007) conveys horror through the lives of women in the toxic patriarchal society.

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In her essay, Robertson explores the audiovisual motif of Ophelia in Asato Mari’s, film, a supernatural coming-of-age queer love story

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Kutlu edits the soundtrack from Kaygı, the first Turkish horror directed by a woman, to imitate the film’s disorienting ambiance.

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Reading Clementina (2019), Monteoliva’s debut feature film, the authors discuss spectral motherhood and fear in the domestic environment.

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Wan-Ching (Hsiao-Feng Lu) and Ming (Lisa Yang) are doomed, tragic women, punished for ‘transgressions’. Could they be avengers?

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Foletto Lucas examines Good Manners (2018) focussing on the underprivileged perspective of Clara, a lower class, queer, Black woman.

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Through AI technology, this video crafts female faces for male pleasure, placing them onto a male body in the world of Kwaidan (1964).

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This video shows that Dahdaleh’s background as an Arab costume designer enables her to create nuanced female characters in 1980s Tehran.

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Ancuta examines the temporal orientation of ghosts, gothic time loops and the (im)possibility of ghostly time travel in Mattie Do’s 2019 film.

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WHO SUPPORTS US

The team of MAI supporters and contributors is always expanding. We’re honoured to have a specialist collective of editors, whose enthusiasm & talent gave birth to MAI.

However, to turn our MAI dream into reality, we also relied on assistance from high-quality experts in web design, development and photography. Here we’d like to acknowledge their hard work and commitment to the feminist cause. Our feminist ‘thank you’ goes to:


Dots+Circles – a digital agency determined to make a difference, who’ve designed and built our MAI website. Their continuous support became a digital catalyst to our idealistic project.
Guy Martin – an award-winning and widely published British photographer who’s kindly agreed to share his images with our readers

Chandler Jernigan – a talented young American photographer whose portraits hugely enriched the visuals of MAI website
Matt Gillespie – a gifted professional British photographer who with no hesitation gave us permission to use some of his work
Julia Carbonell – an emerging Spanish photographer whose sharp outlook at contemporary women grasped our feminist attention
Ana Pedreira – a self-taught Portuguese photographer whose imagery from women protests beams with feminist aura
And other photographers whose images have been reproduced here: Cezanne Ali, Les Anderson, Mike Wilson, Annie Spratt, Cristian Newman, Peter Hershey