Mineral Memories: Photography & Disappearance in Argentina
Paula Luttringer’s photographs bear witness to those who, like her, survived torture during the 1976-83 dictatorship in Argentina.
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Dearest MAI Readers,
Resistance. Say the word. Let it resonate. Keep hold of what it means. We have resisted. We have persisted, for so long, with no end in sight.
As we sat down to write these words, the US Supreme Court announced that they had struck down Roe vs Wade. This was expected, of course. Yet, as with all such body blows, it represents not an ending but a beginning. The world’s blind march into a dystopia and the erosion of the fundamental rights of all but the patriarchal elite show no sign of abating, with each new hit setting the stage for the next.
Since our last issue, the global need for resistance to the power-hungry privileged, the corrupt and the violent has once again become quite apparent. Among many other heartbreaking events, we saw the outbreak of the unjust war in Ukraine—one that causes suffering through unimaginable abuse of civilians. More recently, we’ve heard media reports on the limits of humanitarian aid and support for the already displaced victims of an earthquake in Afghanistan. These are just a few, among many, upsetting examples from the last six months—all demonstrating that the need to resist the global governing systems is now as urgent as ever.
As much as women and other non-privileged social groups are often the innocent victims in this world run by men in power, they are also the brave rebels who believe that standing up against oppression can change the world. This issue is about them and their admirable refusal to stay silent. Their reluctance to comply and accept injustice takes many forms. It may manifest as a courageous move in a domestic environment, a political action, or a creative project.
Focussed on photography as a medium employed to counter patriarchal powers, uncover abuse, or document social resistance, our selection of articles celebrates the courage of female and non-binary people from around the world. We invite you to engage with them as, among many other forms of abuse and marginalisation, they oppose traditions, corruption, unfair treatment, or violence across all sections of their societies. First conceived by our brilliant guest editor Kylie Thomas from the NIOD Institute for War, Holocaust and Genocide Studies in Amsterdam, this issue documents how photography links with political, artistic, and personal moments of resistance on a larger or smaller scale.
It took us over a year to commission, peer review and edit this issue with Kylie and her energetic collaborator, Brian Müller, a South African-born scholar based in Canada. Their drive to reach out to academics, artists and journalists helped start and develop this project, which was supported by a European Commission grant.* We hope that the writing and images you encounter in this issue will move, inspire, and above all, serve to remind you that resistance is always necessary and appropriate.
From our MAI front, we would like to take this occasion to thank our Founding Editor, Anna Backman Rogers, for the four years of her editorial service. She has recently stepped away from the day-to-day running of the journal to limit her responsibilities to the role of Commissioning Editor while also turning her attention to the new MAI imprint at Punctum Books. This means that we (Anna Misiak & Houman Sadri) now share the responsibility for working with guest editors of themed issues with the support of our MAI Collective and MAI Board. We also prepare and proof each new MAI issue for publication. The articles here are the first product of our collaboration with our guest editors. We couldn’t be more grateful to them and to our authors for sharing their work with you.
As always, towards the end of the issue, you will find a few miscellaneous articles from authors focussing on other aspects of visual culture, which may not fit our focus theme at first glance. Yet, these final contributions remind us that resistance to the status quo goes beyond one medium, one place, one project. When MAI started four years ago, this courage to question and the spirit of care brought us all together. Today we remember that our journal was born out of radical resistance. We must not back down.
Happy reading & happy inspiration to stand up against oppression.
With solidarity & courage,
Anna Misiak & Houman Sadri
(Falmouth, UK & Gothenburg, Sweden)
June, 2022
* The publication of this special issue was partially supported by the European Commission within the framework of H2020-EU.1.3.2. as part of the project ‘Fem-Resist: Women, Photography and Resistance in Transnational Perspective’, Grant agreement ID: 838864.
Paula Luttringer’s photographs bear witness to those who, like her, survived torture during the 1976-83 dictatorship in Argentina.
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Made in collaboration with 50 women, this photo project contributes to the debate on the abortion ban in Brazil to advocate for all women.
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Acclaimed photographer Doris Derby reminisces on documenting community mobilisation during the Civil Rights Movement.
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A reflection on the work of the contemporary South African artist Noncedo Charmaine who celebrates Black women and non-binary people.
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Comiskey’s protest photos document how the Irish went to the streets to fight for women’s and minorities rights.
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Marilyn Stafford’s photographs of the Cité Lesage-Bullourde form a precious, fragmented record of the demolished working-class neighbourhood.
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Khadija Saye’s final series of photographic self-portraits—an extraordinary, extended meditation on spirituality, trauma and the body.
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By fragmenting the body, Spicer (re)creates spontaneous representations of intimacy, desire and relationships between non-heterosexual women.
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Inspired by Tina Modotti, Bustamante & Strippoli create a visual story that interweaves the past with the struggles of contemporary feminism.
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Pixley charts collective possibilities for resistance in visual praxis featuring leading Black female & non-binary photographers from the US.
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Award-winning South African photographer Phumzile Khanyile discusses how violence and childhood trauma continue to shape her practice.
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Examining the intersubjective experience of looking and being looked at, Orcutt, the artist, tries on different visual gender identities.
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Cavalcante meets two emerging photo artists to talk about their symbolic representations of diasporic identities of African women.
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Invoking a lineage of female ancestors, Igwe reimagines the Aba Women’s War, a major anti-colonial uprising in Nigeria.
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Piper-Wright explores how women using the camera enact their visual resistance through the interrelated processes of seeing and being seen.
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This interview with three migrant workers photographers offers a critical and personal insight into the narratives of tragedy, sorrow, and loss.
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Hopkinson seeks to unearth the repressed history of women in her family, tracing the story of her maternal grandmother during World War Two.
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Rosario Montero shows how photographers have adopted strategies to combat facial recognition and other tools of oppression.
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The non-binary artist Dean Hutton created their anti-racist work in the wake of student protests at post-apartheid universities.
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Dora Carpenter-Latiri revitalises the term ‘People of the Book’ by portraying women’s relationship to creation, enunciation, and belonging.
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New media artist Katarzyna Kozyra talks about her art, female artists, and her experiments with the camera.
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A look at two photojournalists who focus on Filipino women pushing back against the physical and rhetorical aggression they experience.
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Vipula P.C. shows that the memory of a photograph and the effort to regain it become a form of resistance for lower caste Malayali women.
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A reflection on the potential for photography to contribute to women’s activism in the context of resistance to mining projects in Peru.
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Offering a grotesque alternative to resist the idealisation of one body type, The F Word challenges our unattainable standards of beauty.
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Tasheva illuminates how her journey as an Eastern European migrant critically inspired her personal photographic account of marginalisation.
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A studio space, once occupied by Bitrán, prompts Shapass to enter an intimate dialogue with the artist who spots euphoria in mortality.
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Two tongue-in-cheek images from a larger photographic project that explores patriarchal codes in the architecture of the City of London.
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A visual essay exploring heritage, loss, inheritance, and resistance in the Spanish Levante region where the photographer grew up.
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The release of Passion inspired us to meet Borg to talk about the creative parallels between capitalism and our intimate relationships.
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‘Contemporary Womanist Research Post George Floyd: Compelling Developments in Black Feminist Theory’ was an online conference held in March 2022.
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Citing debates on essentialisation of blackness, this article assesses how—if at all—Black Panther projects black female empowerment.
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In this poem, Anna Backman Rogers reflects on boarding schools, the middle classes, Brexit, conservatism and fathers.
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The team of MAI supporters and contributors is always expanding. We’re honoured to have a specialist collective of editors, whose enthusiasm & talent gave birth to MAI.
However, to turn our MAI dream into reality, we also relied on assistance from high-quality experts in web design, development and photography. Here we’d like to acknowledge their hard work and commitment to the feminist cause. Our feminist ‘thank you’ goes to:
Dots+Circles – a digital agency determined to make a difference, who’ve designed and built our MAI website. Their continuous support became a digital catalyst to our idealistic project.
Guy Martin – an award-winning and widely published British photographer who’s kindly agreed to share his images with our readers
Chandler Jernigan – a talented young American photographer whose portraits hugely enriched the visuals of MAI website
Matt Gillespie – a gifted professional British photographer who with no hesitation gave us permission to use some of his work
Julia Carbonell – an emerging Spanish photographer whose sharp outlook at contemporary women grasped our feminist attention
Ana Pedreira – a self-taught Portuguese photographer whose imagery from women protests beams with feminist aura
And other photographers whose images have been reproduced here: Cezanne Ali, Les Anderson, Mike Wilson, Annie Spratt, Cristian Newman, Peter Hershey