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Natalia Christofoletti Barrenha

Natalia Christofoletti Barrenha is a film researcher and programmer specialising in Latin American cinema. She conducted postdoctoral research at the Universidade Estadual de Campinas, Brazil, and was Visiting Fellow at the KU Leuven, Belgium, Comenius University, and the Academy of Performing Arts, both in Bratislava, Slovakia. She is the author of Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (Intermeios, 2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (Alameda, 2014. Translation into Spanish: Prometeo, 2020), and co-editor of ReFocus: The Films of Lucrecia Martel (Edinburgh University Press, 2022). She currently works as a project manager at the Cultural Section of the Embassy of Brazil in London and is the co-founder of Cinema Mentiré, an itinerant film club showcasing Latin American film in the UK.

MAI CONTRIBUTIONS

Reading Clementina (2019), Monteoliva’s debut feature film, the authors discuss spectral motherhood and fear in the domestic environment.

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However, to turn our MAI dream into reality, we also relied on assistance from high-quality experts in web design, development and photography. Here we’d like to acknowledge their hard work and commitment to the feminist cause. Our feminist ‘thank you’ goes to:


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Guy Martin – an award-winning and widely published British photographer who’s kindly agreed to share his images with our readers

Chandler Jernigan – a talented young American photographer whose portraits hugely enriched the visuals of MAI website
Matt Gillespie – a gifted professional British photographer who with no hesitation gave us permission to use some of his work
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