In this visual essay, Bolt ponders on the risks and paradoxes in analogue and digital painting, tracing through the affordances offered by watercolour and iPad painting tools.
Barbara Bolt
Barbara Bolt is Professor in Contemporary Arts and Culture and a practising artist and art theorist with a special interest in the dialogue between theory and practice and digital and analogue painting seen through the lens of New Materialist studies. Her publications include two monographs Art Beyond Representation (2004) and Heidegger Reframed (2011) and four co-edited publications, Material Inventions: Applying Creative Arts Research (2014), Carnal Knowledge: Towards a “New Materialism” through the Arts (2013), Practice as Research: Approaches to Creative Arts Enquiry (2007) and Sensorium: Aesthetics, Art, Life (2007). She is an ambassador for the cause of Artistic Research. Website: http://www.barbbolt.com/
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