Reflecting on their own graphic abortion narratives, Freeman & Nandagiri talk about the power of the visual and the creative process.
Rishita Nandagiri
Rishita Nandagiri is a Lecturer in Global Health and Social Medicine at King’s College London. Her research focuses on abortion and reproductive in/justice in the Global South. In 2020-2021, she was an ESRC Postdoctoral Fellow at LSE’s Department of Methodology, where she drew on her doctoral studies data to co-produce visual narratives of abortion. She co-authored this article when she was still a Fellow at the London School of Economics and Political Science.
WHO SUPPORTS US
The team of MAI supporters and contributors is always expanding. We’re honoured to have a specialist collective of editors, whose enthusiasm & talent gave birth to MAI.
However, to turn our MAI dream into reality, we also relied on assistance from high-quality experts in web design, development and photography. Here we’d like to acknowledge their hard work and commitment to the feminist cause. Our feminist ‘thank you’ goes to:
Dots+Circles – a digital agency determined to make a difference, who’ve designed and built our MAI website. Their continuous support became a digital catalyst to our idealistic project.
Guy Martin – an award-winning and widely published British photographer who’s kindly agreed to share his images with our readers
Chandler Jernigan – a talented young American photographer whose portraits hugely enriched the visuals of MAI website
Matt Gillespie – a gifted professional British photographer who with no hesitation gave us permission to use some of his work
Julia Carbonell – an emerging Spanish photographer whose sharp outlook at contemporary women grasped our feminist attention
Ana Pedreira – a self-taught Portuguese photographer whose imagery from women protests beams with feminist aura
And other photographers whose images have been reproduced here: Cezanne Ali, Les Anderson, Mike Wilson, Annie Spratt, Cristian Newman, Peter Hershey