Some Men Like Dead Girls Best
by: Samantha Walton , May 14, 2019
by: Samantha Walton , May 14, 2019
Sometimes when I can’t sleep I
burn my eyes out on my screen
the blue-light of my phone
ruining my tender biochemistry
in ways science can’t really communicate
because it only understands the language of money
& prohibition, which I refuse absolutely
because I’m a woman, & underslept, & have
learnt from women so long dead
they’ve become pictures of themselves
the worst sacrifice
the most complete obliteration
Saint Agatha lost her breasts
& Saint Margaret lost her head
but my favourite paintings are ones of Saint Lucy
in which she holds her eyes on a plate
or sometimes at the ends of two twisting green shoots
like a man-eating plant in an old B movie
only with two blinking eyes instead of the fold of a snapping mouth
There’s nothing wrong with holding your eyes on a plate
if someone has gouged them out for you
because you wouldn’t have sex with him
& though a jar is more tidy than a plate
less slippery, less likely to gather dust or crows
a plate has the kind of gravitas I think I’d find comforting
in my new eyeless state
with the blood tricking lines down my cheeks
& me popping up like a haughty ghoul
to teach men & women a lesson about love & limits & regret
which never go out of fashion, even though I’ve been dead for so long
my eyes look like balls of mouldy plastic
pinging around in the broken pinball machine
of my abandoned, morality-tale of a life
What confuses me about Saint Lucy
is that even though she has her eyes on a plate
or sometimes in her little gross bouquet
she’s usually painted with eyes as well
(eyes in their sockets)
which look just like the ones she’s holding
as if virginity is its own reward
as if god has given them right back to her
as if her body is a magical machine
whose eyes can be gouged out endlessly & they’ll grow back
each time more beautiful & strange
bluer and bluer
like song birds
like cornflowers
like blue birds
like blue money
which is a kind of money that is sad
& a kind of money which is dangerous
& a kind of money which is naughty
like a child, like the banking system,
like a man who won’t take no for an answer
Saint Lucy wasn’t naughty
as far as god was concerned
because she was a virgin & couldn’t be killed by fire or oxen
She was so damp & sacred all the way through
any fire that touched her went out immediately
She was so strong & serious that any oxen that were chained to her
split in two when they tried to move her
as if she was a steel pillar dug deep into the ground
or an oil rig, pulling all the black gold money
from the earth into the light
Saint Lucy is the patron saint of light
& also of eye disorders, because being eyeless
she can totally identify with anyone suffering from those conditions
I like Saint Lucy best when she has her eyes in her palms
& her eyelids closed, because at least then you know where to look
when you’re having a conversation with her
When she has her eyes on a plate & also in her head
she must get annoyed with people looking at the plate
& not her eyes
like sometimes men speak to women’s breasts
& not their faces
even though their eyes are never in their breasts
not even in Saint Lucy’s
not in stained glass windows or gilded triptychs
painted by men who like the idea of the incorruptible virgin
& also the idea of punishing her
Saint Lucy isn’t even my favourite
I like St. Triduana best
even though she’s probably apocryphal
which means if she didn’t exist you’d have to invent her
knowing that you’d needed her all along
She was never painted by Bernini, Giotto, Caravaggio
or Artemisia Gentileschi
though I think she’d have liked to paint her
like she painted Judith beheading Holofernes
with maximum pleasure & the blood drippy
like maple syrup
on the pancake of his neck
Triduana was like Lucy: pursued by a man
who wouldn’t take no for an answer
because she had such beautiful eyes
so what did she expect?
She didn’t wait for him to come for her, she came for herself
She gouged out her own eyes with a thorn
& sent them to him, possibly on a plate
more likely in a box
because to travel so far, it wouldn’t be decent
no not decent at all
to send them so nakedly
There are no pictures of Triduana
no one wanted to paint her
no one wanted to look at her
she got the virgin shtick wrong
crossed a line sending her eyes out like that
when all he’d wanted to do was ruin her life
I think about her a lot
when I’m not sleeping
thinking about all the no’s ever spoken
all the thorns that have been reached for
all the eyes in their sockets
the plates in their cupboards
the boxes empty, tidy in the drawer
Some men like dead girls best
but Triduana lived for decades
healing the blind like it was no big deal
and died an old woman
asleep in her bed
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The team of MAI supporters and contributors is always expanding. We’re honoured to have a specialist collective of editors, whose enthusiasm & talent gave birth to MAI.
However, to turn our MAI dream into reality, we also relied on assistance from high-quality experts in web design, development and photography. Here we’d like to acknowledge their hard work and commitment to the feminist cause. Our feminist ‘thank you’ goes to:
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Guy Martin – an award-winning and widely published British photographer who’s kindly agreed to share his images with our readers
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Matt Gillespie – a gifted professional British photographer who with no hesitation gave us permission to use some of his work
Julia Carbonell – an emerging Spanish photographer whose sharp outlook at contemporary women grasped our feminist attention
Ana Pedreira – a self-taught Portuguese photographer whose imagery from women protests beams with feminist aura
And other photographers whose images have been reproduced here: Cezanne Ali, Les Anderson, Mike Wilson, Annie Spratt, Cristian Newman, Peter Hershey